I just completed a quarter staff class at Pixar.

Now I can finally track down and duel Star Wars kid.

















Last month, I posted an interview of my buddy, Vi, with the drawing challenge. It was cool hearing his insights into the creative process, so I thought I'd supply a new interview with this week's challenge. Today's conversation was with Daniel Miller, a friend of mine from school and co-director of CalArts' 2005 Producer's Show Intro. Enjoy!
Interview with a Genius II: Daniel Miller
Me: What is your favorite thing to draw?
Daniel: My favorite thing to draw? I want to say comic strip characters. 5 years ago, I would've said bears. Human form is fun to draw, no doubt about that... Wow. I guess the truth is I like to draw superheroes. Sad, I know.
Me: Who are your creative influences?
Daniel: My creative influences. Ah. Number 1, a man named George Perez. Then Norman Rockwell. Charles M. Schulz. Who was the guy who designed Jonny Quest? Doug Wiley. Winsor McCay. Emile Cohl. Alex Ross. Max Fleischer. Peter Chung (eek!)Many others, but these are the ones that spring directly to mind.
Me: How would you describe your style?
Daniel: My style. Mm. I remember once saying, "I have no style, I'm a blank slate," but honestly, it is what I like to call "Jack of all trades." While I was at Calarts, I tried my hand at many styles, never settling on any one. I could've learned a lot more squash and stretch, but eh, I guess it wasn't for me.
Me: What field of art that you have not yet studied would you most like to pursue?
Daniel: Cuneiforms. Granite sculpting. Gold and other metal molding. ...Anything else? I suppose building and car design. Just for fun. And to build my dream house.
Me: Who is your favorite character that you have created and why? None of this "they're all my children" business either!
Daniel: My favorite character that I have created. I'm trying not to say Cody or Paula from Polar Opposites, because thy're not continuous characters. --Claude the Hare! HE is my favorite, because he is me. Sid the Scorpion was pretty funny.
Me: Finally, if you could take a trip anywhere in the world to do artistic research for a project, where would you go and why?
Daniel: A trip anywhere. For ARTISTIC purposes. Not historic. Wow. So many places I WANT to go in the U.S. and worldwide. Africa, Egypt, Rome, Italy. I've never been much of a traveler. OO! Of all the places I've ever wanted to visit or live... Oregon. A few of my favorite cartoonists; Matt Groening, Gary Larson, and Bill Plympton all hail from there. I may not see much art there, I just want to drink the water, breathe the air... Get a sense of what made them who and how they were.
Thanks for the interview, Daniel. I love Alex Ross and Gary Larson, too. And let me tell you: Oregon is beautiful! Tune in again in a couple weeks for the another round of art and conversation!
Next week's challenge, to be posted Friday, Sep 25th:
"Once there was a tyrant lizard king who consumed sunshine so he could make his mama proud."
Not only are Chito and Pocho on friendly terms, they also enjoy wrestling together and sometimes Pocho even lets Chito win!
The pose below was great, there was a real sense that the model was dancing even though both feet were firmly planted.
Playing with perspective. Fun, if not always successful.
Sometimes the negative space can be just as informative as the forms themselves, as with the space between the model's arm, leg, and torso. I always look for pockets like that to help clarify silhouette.
Our instructor, Louis, was pushing us to redraw each pose as many times as possible. The key is to try a different approach each time, varying angles, conveying the weight and energy in new ways. I played a mental game with myself that any time the model gave us the 10- or 20-second warning, I had to quit my current drawing and start a fresh one. As Mark Kistler would say, I was suffering from an Art-Attack, "Draw! Draw! Draw!"